| Introduction

| Conference Program

| Workshops and Tutorials

| Review Process

| NIME 2010 Organisers

| Supporters

 

Review Process
Note from the Paper Chair

All papers published in the proceedings are double blind peer reviewed (i.e. anonymous full papers were reviewed by at least two reviewers, in most cases by 3-4 expert peer reviewers, and have been revised accordingly for publication) to conform to HERDC and ERA research collection requirements in Australia. This process has been applied to the published full 6-page papers, 4-page short conference papers, and 4-page short papers accompanying demo and poster presentations. Special thanks are to our international expert peer reviewers for their valued feedback and time, contributing to the high quality of papers.

Overall, we received more than 260 submissions to the conference for paper/demo/poster, performance, installation/exhibition and tutorial tracks.
29% full papers were accepted for publication in the proceedings and long presentation
19.5% short papers were accepted for publication in the proceedings and short presentation
46% poster/demos were accepted for publication in the proceedings and poster/demo presentation
Approximately 33% performance proposals were accepted variously for concert and club performance
Approximately 25% installation proposals were accepted for exhibition/installation

Paper Chair
Prof. Kirsty Beilharz
Paper Track Committee
Prof. Kirsty Beilharz, Dr. Samuel Ferguson, Dr. Andrew Johnston and Amy Chen


NIME 2010 Reviewers

Alain Crevoisier, University of Applied Sciences Western Switzerland
Alejandro Jaimes, Telefonica Research
Alexander Refsum Jensnius, Department of Musicology, University of Oslo
Alexandre Francois, University Southern California
Andrew Brown, Australasian CRC for Interaction Design, Queensland University of Techonology
Andrew Cavan Fyans, Sonic Arts Research Centre, Queen's University Belfast
Andrew Hawryshkewich, School of Interactive Arts and Technology, Simon Fraser University
Andrew Johnston, University of Technology Sydney
Andrew Martin, University of Technology Sydney
Andrew McPherson, Drexel University
Andrew Schmeder, Center for New Music and Audio Technologies, UC Berkeley
Andrew Sorensen, Queensland University of Technology
Antonio Camurri, University of Genoa
Aristotelis Hadjakos, TU Darmstadt
Art Clay,
Axel Mulder,
Benjamin Knapp, Netwell Centre
Berit Janssen, Universität Hamburg
Bert Bongers, University of Technology Sydney
Bill Verplank, CCRMA, Stanford University
Bill Vine, University of East Anglia
Brigid Costello, University of New South Wales
Chris Geiger, University of Applied Sciences, Düsseldorf
Chris Kiefer, University of Sussex
Christian Haines, University of Adelaide, University of Technology, Sydney
Daniel Overholt, University Southern California
Danielle Wilde, Monash University
David Burns, University Technology Sydney
David Gerhard, University of Regina
David Hindman, Modal Kombat
Deborah Szapiro, University Technology Sydney
Diana Young, Massachusetts Institute of Technology
Edgar Berdahl, CCRMA, Stanford University
Eduardo Miranda, University of Plymouth
Elise van den Hoven, Industrial Design, Eindhoven University of Technology
Ernest Edmonds, University of Technology Sydney
Etienne Deleflie, University of Wollongong
Federico Fontana, University of Verona
Florent Berthaut, University of Bordeaux
Florian Alt, University of Duisburg-Essen
Florian Floyd Mueller, Distance Lab
Francesca Veronesi, University of Technology Sydney
Frank Feltham, RMIT University
Frauke Behrendt, University of Sussex
Garth Paine, University of Western Sydney
Ge Wang, CCRMA, Stanford University
Georg Essl, University of Michigan
George Poonkhin Khut, University of Technology Sydney
Gil Weinberg, Georgia Institute of Technology
Giuseppe Torre, University of Limerick
Greg Schiemer, University of Wollongong
Gualtiero Volpe, InfoMus Lab - DIST - University of Genova

Hank Haeusler, University of Technology Sydney
Haruhiro Katayose, Kwansei Gakuin University
Holger Reckter, University of Applied Science Harz
Hugo Solis, University of Washington
Ivica Bukvic, Dept. of Music., Virginia Tech
J. Anderson Mills III, Université de Mons, TCTS Lab
James Murphy,
Jason Freeman, Georgia Institute of Technology
Jeremiah Nugroho, University of Technology Sydney
Jie Liu, University of Southern California
Jieun Oh, CCRMA, Stanford University
Joanne Cannon, Bent Leather Band
Joe Paradiso, Media Lab, Massachusetts Institute of Technology
Johannes Mulder, University of Technology Sydney
John MacCallum, Center for New Music and Audio Technologies (CNMAT)
Johnathan F.Lee, Tamagawa University
Jon Drummond, MARCS Auditory Laboratories, University of Western Sydney
Jordi Janer, Universitat Pompeu Fabra
Jorge Solis, Waseda University
Josep Lluis Arcos, IIIA - CSIC, Artificial Intelligence Research Institute
Joseph Malloch, McGill University
Josh Parmenter, University of Washington
Julien Phalip, University of Technology, Sydney
Juraj Kojs, Yale University
Jyri Pakarinen, Helsinki University of Technology
Karl Yerkes, Media Arts and Technology Program, University of California, Santa Barbara
Katherine Moriwaki, Parsons School of Design
Keith Hamel, University British Columbia
Kia Ng, ICSRiM - University of Leeds
Kirsty Beilharz, University of Technology, Sydney
Laetitia Sonami, San Francisco Art Institute
Langdon Crawford,
Lawrence Wallen, University of Technology Sydney
Lian Loke, University of Technology Sydney
Linda Candy, University of Technology Sydney
Luiz Naveda, IPEM-UGent
Marcelo Wanderley, McGill University
Margaret Schedel, Stony Brook University
Marie O'Mahony, UTS
Mark David Hosale, Faculty of Architecture, Technical University of Delft
Mark Havryliv, University of Wollongong
Martin Kaltenbrunner, Universitat Pompeu Fabra
Martin Tomitsch, Faculty of Architecture, Design & Planning The University of Sydney
Michael Gurevich, Sonic Arts Research Centre, Queens University Belfast
Michael Lyons, Ritsumeikan University
Michael Zbyszynski, University of California Berkeley
Nick Bryan-Kinns, Queen Mary University of London
Nick Collins, University of Sussex
Nicolas Bouillot, Centre for Intelligent Machines, McGill University
Nicolas d'Alessandro, University of British Columbia
Niels Böttcher, Aalborg University Copenhagen
Owen Green,

Parag Chordia, Georgia Institute of Technology
Paul Doornbusch, Royal Conservatoire
Paul Lehrman,
Pierre Alexandre, Tremblay University of Huddersfield
Pieter Coussement, Universiteit Gent
Randy Jones,
Rebecca Fiebrink, Princeton University
Robert Rowe, New York University
Robin Fencott, Queen Mary University of London
Robyn Taylor, University of Alberta
Rodney Berry, National University of Singapore
Ross Bencina, Audiomulch
Rudolfo Quintas, University of Minho Portugal
Sam Ferguson, University of Technology Sydney
Sam Spurr, University of Technology Sydney
Samuel Roig Torrubiano,
Saskia Bakker, Eindhoven University of Technology
Scott Smallwood, University of Alberta
Sergi Jorda, Universitat Pompeu Fabra
Sidney Fels, University of British Columbia
Sile O'Modhrain, Queens University, Belfast
Sinan Bokesoy, University of Paris
Smilen Dimitrov, Medialogy, Aalborg University Copenhagen (CIT)
Somaya Langley,
Steven Gelineck, Aalborg University Copenhagen
Sylvain Le Groux, Pompeu Fabra University
Takegawa Yoshinari, Kobe University
Ted Hayes, Interactive Telecommunications Program
Teemu Ahmaniemi, Nokia Research Center
Thomas Moeslund, Aalborg University
Thor Magnusson, University of Sussex
Tilo Hähnel, Otto-von-Guericke-University
Tobias Großhauser, Music Inateraction Lab
Tomás Henriques, Buffalo State College
Tomoko Yonezawa, ATR Intelligent Robotics and Communication Laboratories
Warren Burt, University of Wollongong
Xiaoyang Feng, Interactive Telecommunication Program, New York University

SUB-REVIEWER
Arne Eigenfeldt
Bent Leather Band
Björn Wöldecke
Deborah Szapiro
Dominikus Baur
Leonel Valbom
Miguel Carvalhais

| Top |


Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), Sydney, Australia

Proceedings edited by
Kirsty Beilharz
Andrew Johnston
Sam Ferguson
Amy Yi-Chun Chen


PO Box 123 Broadway NSW 2007 Australia

ISBN: 978-0-646-53482-4